![]() ![]() Pipe Clamp to Mitchell Mount for Gimbal or Killshock Kessler Killshock Vibration Isolator for rigging to off of vehicles, dollies, jibs, overheadsĬinemilled 2” Reciver Adapter for Killshock Remote control of Movi parameters and tuningĢx SmallHD Cine 7 Monitors with built in Teradek Receiverġ Teradek Bolt 500 Receiver (Extra SDI/HDMI Receiver to mount to any video village monitors) Pan/Tilt control from a tripod head in Mimic Mode Inovativ Cart provides mobile workstation with baby pin for mounting monitors and other equipmentģ axis FIZ control (Full FIZ available upon request)įully customizable Pan, Tilt, Roll, Focus, Iris, Zoom control WK Slingshot 2.0 Rig provides optimal operator support with a boom range of 10+ Feet from the groundĮartec UltraLITE Open Mic Headset (4 Headsets) enable discrete communication between Directors, DP, Crew Ninja Star adapter and Mitchell tie down for mounting Movi to any rigging: Jib, Dolly, Slider, Tripod, Overhead Rig Tilta Nucleus for Single Op Focus/Iris/Zoom Control Heden Lens Motor compatible with Movi Pro integrated FIZ from Movi Controller Upgraded TB50 Batteries provide all day power for cameras and accessories Tilt Offsets and Counterweights for properly balancing most any camera system and lens combo Standard Arri Dovetail baseplate reduces need to strip down camera and enables extremely fast switching from Movi to Handheld/Studio setup. This enables more time to plan, block and rehearse shots and ultimately tell a better story through camera movement. This also makes traveling with kit a breeze. ![]() By working off his own cart, he can efficiently move around set or from location to location with all the essentials in one place. By the time crew has had their first cup of coffee, the Movi is typically up and ready to roll. The only prep needed is building the camera into the Movi, which ideally can be taken care of during a prep day. Matt typically arrives to set with all equipment in 2 Pelican cases on an Inovativ cart ready to go. Additionally, by owning his own equipment, in the event there is an issue, Matt can quickly assess and troubleshoot the problem. By owning all of his own equipment listed below, he streamlines the workflow on set and minimizes downtime caused by working with rented equipment, wireless connectivity issues, compatibility between systems and trouble integrating. Matt owns an ever expanding and versatile Movi Pro Gimbal package. ![]()
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